The Civilization Slept in the Land --The Outlook on Heritage and Innovation of Folk Art from the Xiao Guo Clay Sculpture

DOI

10.2991/gefhr-14.2014.36How to use a DOI?

Keywords

Clay sculpture, Five--color, Heritage, Innovation.

Abstract

Xiao Guo clay sculpture in the city of Cang shan is the outstanding representative in the Chinese folk sculpture art. Meantime it can also be known by foreigners as the most folk artistic handwork full of the oriental color. This article is mainly illustrated from three aspects, which is the unique style of Xiao Guo clay sculpture, its heritage dilemma in development and the choice of creation rooted intradition. The article is trying to use objective and rational way to show the fact that only when rooted in tradition can Xiao Guo clay sculpture get the protection and heritage in the real sense.

Copyright

© 2014, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yanqing Hou
PY  - 2014/03
DA  - 2014/03
TI  - The Civilization Slept in the Land --The Outlook on Heritage and Innovation of Folk Art from the Xiao Guo Clay Sculpture
BT  - Proceedings of the 2014 International Conference on Global Economy, Finance and Humanities Research
PB  - Atlantis Press
SP  - 128
EP  - 130
SN  - 1951-6851
UR  - https://doi.org/10.2991/gefhr-14.2014.36
DO  - 10.2991/gefhr-14.2014.36
ID  - Hou2014/03
ER  -