Energy Dichotomy of the Ideographic Writing of China and Japan on the Example of the Character Sign of “Buddha’s Heart”
E K Karavanova, I A Strelnikov, N V Strelnikova
E K Karavanova
Available Online 17 March 2020.
- 10.2991/aebmr.k.200312.043How to use a DOI?
The article explores the principle of polarity as a law of the Universe and the creation and the principle of F. Saussure’s dichotomy in linguistics on the example of the “Buddha’s heart” ideographic sign of Chinese and Japanese. The hieroglyph manji 卍 is presented in examples from ancient languages to modern times, its interpretation and practical use in different cultures and eras.
- © 2020, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - E K Karavanova AU - I A Strelnikov AU - N V Strelnikova PY - 2020 DA - 2020/03/17 TI - Energy Dichotomy of the Ideographic Writing of China and Japan on the Example of the Character Sign of “Buddha’s Heart” BT - Proceedings of the International Scientific Conference "Far East Con" (ISCFEC 2020) PB - Atlantis Press SP - 297 EP - 301 SN - 2352-5428 UR - https://doi.org/10.2991/aebmr.k.200312.043 DO - 10.2991/aebmr.k.200312.043 ID - Karavanova2020 ER -