Exploring the Concept Innovation of Greenberg, Fried and De Duve's Sculpture Theory

Keywords

Clement Greenberg; Michael Fried; Thierrv de Duve; sculpture theory; divergence of vision

Abstract

Greenberg, Fried and Duve have made great concept innovation to promoting the development of modern sculpture theory. Greenberg's interpretation of media realism, Fried's critique of physical theatre theory and Duve's interesting archaeological narrative provide a new perspective to examine the spiritual connotation of modern and post-modern sculpture. Clarifying their respective connotations of value implication and vision differences will help to further clarify the spiritual connotation of the quality of sculpture modernity, break through the rigid thinking, and thus enhance the appreciation level of modern value of sculpture.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhengbo Zhang
AU  - Jin Pu
PY  - 2019/08
DA  - 2019/08
TI  - Exploring the Concept Innovation of Greenberg, Fried and De Duve's Sculpture Theory
BT  - Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019)
PB  - Atlantis Press
SP  - 65
EP  - 70
SN  - 2352-5398
UR  - https://www.atlantis-press.com/article/125916054
ID  - Zhang2019/08
ER  -