Research on the Experience of Interactive Art From the Perspective of Reception Aesthetics

DOI

10.2991/assehr.k.210106.009How to use a DOI?

Keywords

reception aesthetics, aesthetic experience, audience emotion

Abstract

Since the 1960s, the rapid development of science and technology has gradually reduced the power distance between people. Individual visitor has also transformed from passive appreciation to active acceptance. The theory represented by receptive aesthetics also provides theoretical support for the development of modern art. At the same time, interactive art characterized by “interactivity”, “mixed senses” and “cross-media” came into being. In the era when the individual is activated, the creator adopts the “people-oriented” creative concept, uses scientific and technological methods to create a multidimensional space art which contains both virtual world and reality, and establishes an artistic expression of equal dialogue between creators, works and audiences from the perspective of reception aesthetics. With the upgrading of the consumer era, the iterative development of the audience’s aesthetic level and emotional experience research has undoubtedly become the core content of contemporary art development and exploration.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Baihui Chen
PY  - 2021
DA  - 2021/01/06
TI  - Research on the Experience of Interactive Art From the Perspective of Reception Aesthetics
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 39
EP  - 42
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.009
DO  - 10.2991/assehr.k.210106.009
ID  - Chen2021
ER  -