Expression of Faith in the Work of Syahdu Ramadhan Calligraphy Abay D. Subarna

DOI

10.2991/assehr.k.200321.051How to use a DOI?

Keywords

Abay D. Subarna, calligraphy, Islamic art

Abstract

Calligraphy painting as a work of art is not only seen as a physical thing but Also non-physical. Calligraphy which is seen as non-physical, aesthetic understanding is used to interpret it. Therefore, Abay D. Subarna’s calligraphy should be seen not only as physical work but Also as a non-physical to reveal the meaning and message that were conveyed. This research was Examined through visual Semiotics and using descriptive method and qualitative approach. The results of the study show that Abay D. Subarna’s calligraphy exhibition in the serene Ramadan was Expressed through visual signs with geometric patterns and crack textures. Geometric patterns are taken from mosque architectural elements, while crack textures are taken from natural forms. The conclusion of this research is the visual expression that synergizes with calligraphic content in each work as a unity that has the meaning of religious items, namely the spirit of monotheism and makes calligraphy as part of the development of Islamic art in Indonesia which returns the nature of Islamic art in its corridors., but also how the essence of God appears in every work.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Desi Wulandari
AU  - Zakarias Sukarya Soeteja
PY  - 2020
DA  - 2020/03/24
TI  - Expression of Faith in the Work of Syahdu Ramadhan Calligraphy Abay D. Subarna
BT  - Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)
PB  - Atlantis Press
SP  - 212
EP  - 216
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200321.051
DO  - 10.2991/assehr.k.200321.051
ID  - Wulandari2020
ER  -