Valery Gavrilin and Heinrich Heine: Evolution of the Style of Composition

DOI

10.2991/icassee-17.2018.15How to use a DOI?

Keywords

vocal cycle; genre; image; lyric character; drama; intonation; author's style

Abstract

The article analyses vocal works by Valery Gavrilin based on the poetry by Heinrich Heine. Since the composer's individual vision of Heine poetic intonation is closely connected with the search for his own style, we analyse its evolution through the works of different periods: early period (Lovely Fisher-Maiden; Twin Sapphires Are Thine Blue Eyes), peak period (song cycles First German Notebook, Second German Notebook, romance Lime Blossoms Drunk With Moonlight), and later period (concept of the Third German Notebook). Here, style-forming expressive techniques include conveying images through characters' intonation (term coined by Vyacheslav Medushevsky), unexpected genre combinations, semantic multidimensionality of crosscutting intonations, and unusual synthesis of song and drama.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Ksenia Suponitskaya
PY  - 2017/12
DA  - 2017/12
TI  - Valery Gavrilin and Heinrich Heine: Evolution of the Style of Composition
BT  - Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017)
PB  - Atlantis Press
SP  - 65
EP  - 69
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-17.2018.15
DO  - 10.2991/icassee-17.2018.15
ID  - Suponitskaya2017/12
ER  -