Intertextuality and Dialogue and Evolution of the Discourse. The Type Ontology and Aesthetic Symptom of Chinese Film in the New Century

DOI

10.2991/icassee-17.2018.59How to use a DOI?

Keywords

Chinese film type ontology; aesthetic symptom; intertextuality; dialogue; evolution of the discourse

Abstract

In the face of the unprecedented new landscape, new phenomena and new types of Chinese cinema in the new century, it is no longer possible to use the traditional cinematic type paradigm to make perfect use of it. This paper quotes the points of phenomenology, returns to the ontology of cinema art and reconsiders the cinematic type in the new media age by means of phenomenology. This article summarizes many new paradigms of contemporary Chinese cinema: parallel nosy, imitative intertextuality and collage intertextuality, and conducts conversational aesthetic criticism of these cinematic types.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xiaoyan Yuan
PY  - 2017/12
DA  - 2017/12
TI  - Intertextuality and Dialogue and Evolution of the Discourse. The Type Ontology and Aesthetic Symptom of Chinese Film in the New Century
BT  - Proceedings of the 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017)
PB  - Atlantis Press
SP  - 267
EP  - 269
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-17.2018.59
DO  - 10.2991/icassee-17.2018.59
ID  - Yuan2017/12
ER  -