The role of play singing in teaching students sight singing and ear training
- DOI
- 10.2991/978-2-38476-214-9_85How to use a DOI?
- Keywords
- Sight singing and ear training students; playing and singing; musical style; teaching
- Abstract
In China, solfeggio is a compulsory course for each music student. The purpose of subject is to enhance musical memory, develop inner hearing and cultivate a correct sense of rhythm and intonation, so that students can acquire a rich musical vocabulary and proficient score-reading skills(Chen, 2006)5. In short, they developed a deep insight into music (Baragwanath, 2020)1. While play singing is an integral part, which is beneficial for learners to improve their musicianship. However, it might be ignored by some educators. In France, the aim of learning accompaniment is to train students’ ability of accompany the class of solfeggi(Carlisi, 2023)3. Accordingly, for students who major in sight singing and ear training, not only they ought to develop professional skills, but also learn how to apply this into teaching as their future career.
- Copyright
- © 2024 The Author(s)
- Open Access
- Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
Cite this article
TY - CONF AU - Dong Yi PY - 2024 DA - 2024/02/21 TI - The role of play singing in teaching students sight singing and ear training BT - Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023) PB - Atlantis Press SP - 718 EP - 723 SN - 2352-5398 UR - https://doi.org/10.2991/978-2-38476-214-9_85 DO - 10.2991/978-2-38476-214-9_85 ID - Yi2024 ER -