Proceedings of the 2016 International Conference on Humanity, Education and Social Science

The inspiration of Chinese literati painting art to modern graphic designs

Authors
Ping Leng
Corresponding Author
Ping Leng
Available Online August 2016.
DOI
https://doi.org/10.2991/ichess-16.2016.30How to use a DOI?
Keywords
Man-of-letters painting, format design, the Chinese cultural renaissance
Abstract
Man-of-letters painting, also known as "Scholar-official painting ", "scholar-official drawings ", are the paintings with literary taste in the painting, revealing literati outside the painting, The have unique "elegant" and are different from craftsmen painting and House body draw yuanti drawing, develop a school of their own. Traditional Chinese man-of-letters painting in get the creative application in the modern format design, which are mainly embodied in the following three aspects: use paintings to express meanings, articles and drawing match harmonily, points/lines/ face and other forms language processing rhythm, the pursuit of simplicity, using white as blank, the spirit of heaven, with both form and meaning. Book binding design refers to the surface cover design, but it is a process of putting books from planarizartion to the stereoscopic, he covered the concept design creativity, artistic thought, technical approach, and is mining and recreation of the culture to some extent.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Ping Leng
PY  - 2016/08
DA  - 2016/08
TI  - The inspiration of Chinese literati painting art to modern graphic designs
BT  - Proceedings of the 2016 International Conference on Humanity, Education and Social Science
PB  - Atlantis Press
SP  - 138
EP  - 141
SN  - 2352-5398
UR  - https://doi.org/10.2991/ichess-16.2016.30
DO  - https://doi.org/10.2991/ichess-16.2016.30
ID  - Leng2016/08
ER  -