Proceedings of the 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017)

The Performances of Chinese Peasants' new life -- In Propaganda Poster of China 1949--1976

Authors
Yuzhu Fu, Cheng Yan
Corresponding Author
Yuzhu Fu
Available Online April 2017.
DOI
https://doi.org/10.2991/iemss-17.2017.69How to use a DOI?
Keywords
Propaganda Poster; The Peasants; Group Living; The Images of Peasants.
Abstract
As a special kind of art in the history of Chinese art, propaganda posters have been the most important form of art in the 1950s to the late 1970s, and have been developed in an unprecedented way. As with other forms of painting, the image of peasants and the expression of peasant life have been important themes in the propaganda of new China. Founding of the people's republic of China in 1949, in order to reflect the fresh China's value, it also demands and represent the national ideals in the new era. As the result, the peasants' images in propaganda posters show a totally unprecedented new model, which abandon the old shape system and show a new way of peasants' life as well. The performances have three main aspects, which are the romantic imagination of harvest, the presentation of modernity and the expression of group happiness.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Yuzhu Fu
AU  - Cheng Yan
PY  - 2017/04
DA  - 2017/04
TI  - The Performances of Chinese Peasants' new life -- In Propaganda Poster of China 1949--1976
BT  - Proceedings of the 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017)
PB  - Atlantis Press
SP  - 342
EP  - 345
SN  - 2352-5428
UR  - https://doi.org/10.2991/iemss-17.2017.69
DO  - https://doi.org/10.2991/iemss-17.2017.69
ID  - Fu2017/04
ER  -