Proceedings of the International University Symposium on Humanities and Arts (INUSHARTS 2019)

Hadhrami Cultural Identity in Bafagih’s Fatimah

Authors
Sayidatul Ummah, Christina Suprihatin
Corresponding Author
Christina Suprihatin
Available Online 30 July 2020.
DOI
10.2991/assehr.k.200729.036How to use a DOI?
Keywords
Hadhrami, Muwallad, Cultural Identity, Representation
Abstract

Indonesia is a multiethnic country with diverse and rich cultures. The Hadhrami people belong to the second largest minority group who came to Indonesia through diaspora. The Hadhrami people’s assimilation was best facilitated through religion [1]. Another form of assimilation was interracial marriages, which gave resulted in mixed-race offspring (Peranakan/Muwallad). Certainly, interracial marriages engendered issues related to cultural identity. A portion of the Muwallad population choose to preserve native Hadhramaut culture inherited from their ancestors, but another portion of the Muwallad opt to adopt the cultures and traditions of their birthplace, Indonesia. There are many examples of this social reality in Indonesian literature, including Fatimah (1938) [2], a drama written by Hadhrami author Hoesin Bafagih. This research aims to elaborate on the discussions pertaining to intergenerational differences of Muwallad identity in Fatimah. Textual analysis, particularly the method of close reading, was applied during this research. In addition, concepts of representation and cultural identity [3], [4] are applied in analyzing the text. The research concludes that the drama reveals generational differences in Hadhrami descendants’ understanding and practice of cultural identity. Hadhrami people are heterogenous while being both inclusive and exclusive, and this heterogeneity is not entirely anchored by age. Instead of portraying Hadhrami youth as an inclusive group, Fatimah’s inclusivity can be more clearly found in the portrayal of the older Hadhrami group.

Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the International University Symposium on Humanities and Arts (INUSHARTS 2019)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
30 July 2020
ISBN
10.2991/assehr.k.200729.036
ISSN
2352-5398
DOI
10.2991/assehr.k.200729.036How to use a DOI?
Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Sayidatul Ummah
AU  - Christina Suprihatin
PY  - 2020
DA  - 2020/07/30
TI  - Hadhrami Cultural Identity in Bafagih’s Fatimah
BT  - Proceedings of the International University Symposium on Humanities and Arts (INUSHARTS 2019)
PB  - Atlantis Press
SP  - 183
EP  - 186
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200729.036
DO  - 10.2991/assehr.k.200729.036
ID  - Ummah2020
ER  -