Proceedings of the 3rd Jogjakarta Communication Conference (JCC 2021)

Visual Naration of Reyog Obyogan Ponorogo in Bantarangin version

Authors
Oki Cahyo Nugroho*, okicahyo@gmail.com
Communication Science, Universitas Muhammadiyah Ponorogo, Ponorogo, Indonesia
Deny Wahyu Tricanadeny.tricana@gmail.com
Communication Science, Universitas Muhammadiyah Ponorogo, Ponorogo, Indonesia
Eli Purwatielipurwati@umpo.ac.id
Communication Science, Universitas Muhammadiyah Ponorogo, Ponorogo, Indonesia
Corresponding Author
Oki Cahyo Nugrohookicahyo@gmail.com
Available Online 29 November 2021.
DOI
https://doi.org/10.2991/assehr.k.211121.048How to use a DOI?
Keywords
Reyog; Obyogan; Ponorogo; Culture; Visual Naration
Abstract

Ponorogo has special traditional mask dance performance, Reyog Ponorogo. There are two versions of Reyog, Reyog Ponorogo in Festival and Obyogan. In Obyogan performance, they’re starting to leave the origin of the stories, and myths that lie behind the origins of Reyog itself. This research is an answer to the increasing abandonment of noble values in Reyog performances, especially in the Obyogan performance who are displaced by the festivity of Reyog in Festival. Whereas Reyog in the form of a festival has agreed with the Bantarangin mythical story which is a reference for the story in the show, but this is not the same case with the Reyog obyogan. Visual narration is a method used in describing the conditions this Reyog performance in Ponorogo, especially in the form of Reyog Obyogan, which is mostly performed in rural, or suburban areas. This research is a scientific visual tracking and exploration based on existing visual data and recorded in photographic media. This research is a unique study which as the main study material and the main goal is to use photography as the main material in presenting research data. The results of this research show there are still many Reyog Obyogan which not applied the myths, and stories of Bantarangin as the origin of Reyog itself, instead aspects of jokes and popular trends are highlighted. But there are some Reyog groups begin to improve by consistently holding the Bantaragin story as the main story in conveying the legendary message of King Klanasewandana in the myth of the kingdom of Bantarangin.

Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

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Volume Title
Proceedings of the 3rd Jogjakarta Communication Conference (JCC 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
29 November 2021
ISBN
978-94-6239-460-5
ISSN
2352-5398
DOI
https://doi.org/10.2991/assehr.k.211121.048How to use a DOI?
Copyright
© 2021 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Oki Cahyo Nugroho
AU  - Deny Wahyu Tricana
AU  - Eli Purwati
PY  - 2021
DA  - 2021/11/29
TI  - Visual Naration of Reyog Obyogan Ponorogo in Bantarangin version
BT  - Proceedings of the 3rd Jogjakarta Communication Conference (JCC 2021)
PB  - Atlantis Press
SP  - 203
EP  - 208
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211121.048
DO  - https://doi.org/10.2991/assehr.k.211121.048
ID  - Nugroho2021
ER  -