Proceedings of the 2014 International Conference on Economic Management and Social Science

Research on Relations between Experiences and Object & Basic Theory of Musical Aesthetics

Authors
Guo Yujing
Corresponding Author
Guo Yujing
Available Online November 2014.
DOI
https://doi.org/10.2991/emss-14.2014.6How to use a DOI?
Keywords
musical aesthetics, research object, theory, disciplinary system
Abstract
Musical aesthetics is developed from the development of aesthetics, musical historiography, music criticism and other disciplines. Musical aesthetics draws essences from such disciplines and also presents unique disciplinary characteristics. From such perspectives as philosophy, psychology, sociology and aesthetic meaning of musical works, musical aesthetics explores for the nature of music, functional pattern of music and value standard of music. Research object is served as the initial point of research of any discipline. Musical aesthetics specifies its research objects, and its research objects are enriched with changing times, promoting establishment and enrichment of the disciplinary system. In this paper, a brief introduction is made to research objects and basic principles of music. Besides, the author also lays emphasis on the ontology and disciplinary system. At last, a simple analysis is made on relations between experiences and existing way of basic principles of musical aesthetics.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Guo Yujing
PY  - 2014/11
DA  - 2014/11
TI  - Research on Relations between Experiences and Object & Basic Theory of Musical Aesthetics
BT  - 2014 International Conference on Economic Management and Social Science (ICEMSS 2014)
PB  - Atlantis Press
UR  - https://doi.org/10.2991/emss-14.2014.6
DO  - https://doi.org/10.2991/emss-14.2014.6
ID  - Yujing2014/11
ER  -