Proceedings of the International Conference On Law, Economic & Good Governance (IC-LAW 2023)

Alter Ego of Payments Royalties for Songs and Music on Radio Stations

Authors
T. Keizerina Devi Azwar1, *, Yati Sharfina Desiandri1, Joiverdia Arifiyanto1, Putri Rumondang Siagian1, Hilbertus Sumplisius M. Wau1
1Faculty of Law, Universitas Sumatera Utara, Jl. Univeristas No. 4, Padang Bulan, Medan, North Sumatera, 20155, Indonesia
*Corresponding author. Email: deviazwar@gmail.com
Corresponding Author
T. Keizerina Devi Azwar
Available Online 22 February 2024.
DOI
10.2991/978-2-38476-218-7_109How to use a DOI?
Keywords
Copyrights; Radio; Royalty
Abstract

The requirement for radio companies to pay royalties as per government rule concerning song and or music copyright payments. According to Copyrights Act, musicians and songwriters are entitled to royalties Act. Radio companies should ask the copyright holder for permission before playing music on their station. The term “commercial” refers to radio's primary obligation to pay royalties for songs and music played on its stations. Unlike streaming music platforms, whose primary objective is to generate revenue from songs and music that are set at a specific fee (premium), radio's profit from song and music broadcasting is a matter of concern. A legal question emerges in this context: does radio, by playing songs and music, qualify as a commercial entity and, thus, be subject to royalty obligations. This article examines legal theory in relation to songwriters’ rights from a theoretical standpoint. From the perspective of interpretation theory, a study will be carried out to see the limits of the sources that should provide royalties to song and music creators. Talking about the definition and categories of copyright in music, the legal structure and architecture of song and music copyright as well as a comparative analysis of US legal regulations pertaining to radio stations’ duties to pay royalties for songs and music played on their air. Subject and object factors impact the network of legal binding that surrounds copyright. Although music is protected by copyright under US federal law, using music on radio does not necessitate paying royalties.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the International Conference On Law, Economic & Good Governance (IC-LAW 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
22 February 2024
ISBN
10.2991/978-2-38476-218-7_109
ISSN
2352-5398
DOI
10.2991/978-2-38476-218-7_109How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - T. Keizerina Devi Azwar
AU  - Yati Sharfina Desiandri
AU  - Joiverdia Arifiyanto
AU  - Putri Rumondang Siagian
AU  - Hilbertus Sumplisius M. Wau
PY  - 2024
DA  - 2024/02/22
TI  - Alter Ego of Payments Royalties for Songs and Music on Radio Stations
BT  - Proceedings of the International Conference On Law, Economic & Good Governance (IC-LAW 2023)
PB  - Atlantis Press
SP  - 655
EP  - 661
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-218-7_109
DO  - 10.2991/978-2-38476-218-7_109
ID  - Azwar2024
ER  -