Identity Crisis: Leather Carving Art in the Hyperrealist Era Through Jean Baudrillard’s Perspective

DOI

10.2991/assehr.k.210602.003How to use a DOI?

Keywords

Identity Crisis, Hyperreality, Leather Carving Art, Aesthetics

Abstract

Identity crisis occurs because humans receive perceptions or pressures that raise doubts about their character. The issue in leather carving art is marked by low awareness of the local culture significance in creating carved products. This occurs because of a hyperrealist phenomenon in society, which influences the perception and orientation of carved product creation. In this study, there are two crucial points as the focus of discussion. First, aesthetics beyond the Indonesian context are considered more valuable than local culture. Second, the two factors contributing to the strength of hyperreality in the art of carving leather are a form of the hegemony of superior countries. These two factors make carved products no longer oriented to the use-value but image consumptions.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Abdul Muntolib
AU  - Susilo Pradoko
AU  - I Ketut Sunarya
PY  - 2021
DA  - 2021/06/04
TI  - Identity Crisis: Leather Carving Art in the Hyperrealist Era Through Jean Baudrillard’s Perspective
BT  - Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)
PB  - Atlantis Press
SP  - 14
EP  - 19
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210602.003
DO  - 10.2991/assehr.k.210602.003
ID  - Muntolib2021
ER  -