Proceedings of the 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017)

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Split Screen Aesthetics in Soviet Animation

Authors
Violetta Evallyo
Corresponding Author
Violetta Evallyo
Available Online May 2017.
DOI
10.2991/icadce-17.2017.1How to use a DOI?
Keywords
split sreen; animation; soviet animation; formal techniques; visual arts; visual culture
Abstract

The essence of the split screen reception is to separate. However, paradoxically, it combines objects and spaces, integrating new ways of cooperation. The split screen can veil the displayed modernity, enhance the decorative and connotational properties of visual matter in animation.

Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
May 2017
ISBN
10.2991/icadce-17.2017.1
ISSN
2352-5398
DOI
10.2991/icadce-17.2017.1How to use a DOI?
Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

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TY  - CONF
AU  - Violetta Evallyo
PY  - 2017/05
DA  - 2017/05
TI  - Split Screen Aesthetics in Soviet Animation
BT  - Proceedings of the 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017)
PB  - Atlantis Press
SP  - 1
EP  - 5
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-17.2017.1
DO  - 10.2991/icadce-17.2017.1
ID  - Evallyo2017/05
ER  -