Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021)

Taking Criticism as an Example to Explore the Development Path of Modern Chinese Painting in the Dualistic Framework of Chinese and Western Culture

Authors
Yifan Du
Corresponding Author
Yifan Du
Available Online 17 August 2021.
DOI
10.2991/assehr.k.210813.007How to use a DOI?
Keywords
The dualistic frame of Chinese and Western culture, Modern traditional Chinese painting, Criticality, Social changes
Abstract

Criticism is a questioning attitude towards things. It is a retrospective reflection based on rational logical reasoning. Western art has been critical in content and form for a long time. Since the Renaissance, it has been used as a weapon for the struggle of the bourgeoisie, and it is used to criticize the church and imperial power. Until modern times, the exploration of forms in modern Western painting is based on criticizing the predecessors, continuing to innovate and achieving achievements. Modern China was influenced by Western art, and Chinese traditional paintings, which were mainly inherited, also began to show criticality. In order to discuss the possibility of critical integration into the future development of Chinese traditional painting under the Western scientific system, this article will focus on the critical aspect of painting, taking modern Chinese traditional painting as the research object, combing through vertical development, comparing it horizontally with the critical development of Western painting, and analyzing its characteristics and the reasons behind them in order to provide theoretical support and suggestions for the critical development of Chinese traditional painting in the future.

Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
17 August 2021
ISBN
10.2991/assehr.k.210813.007
ISSN
2352-5398
DOI
10.2991/assehr.k.210813.007How to use a DOI?
Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Yifan Du
PY  - 2021
DA  - 2021/08/17
TI  - Taking Criticism as an Example to Explore the Development Path of Modern Chinese Painting in the Dualistic Framework of Chinese and Western Culture
BT  - Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021)
PB  - Atlantis Press
SP  - 43
EP  - 52
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210813.007
DO  - 10.2991/assehr.k.210813.007
ID  - Du2021
ER  -