Proceedings of the 4th International Conference on Arts and Design Education (ICADE 2021)

Kenthongan Banyumas

A Study of Organology Development

Authors
Ibnu Amar Muchsin1, *, Syahrul Syah Sinaga1, Endang Kusrini1, Danang Ardyanto1
1Drama, Dance, and Music Education, Faculty of Languages and Arts, Universitas Negeri Semarang, Semarang, Indonesia
*Corresponding author. Email: amarflute@mail.unnes.ac.id
Corresponding Author
Ibnu Amar Muchsin
Available Online 15 June 2022.
DOI
https://doi.org/10.2991/assehr.k.220601.036How to use a DOI?
Keywords
Kenthongan; Organology; Development; Banyumas
Abstract

Kenthongan Banyumas Art is a musical ensemble with the basic material of instruments made of bamboo which has been well developed in the Banyumas area and outside the Banyumas area. These basic materials are mostly found in the mountainous area along the Serayu river overgrown with bamboo plants. Kenthongan Banyumas uses a diatonic barrel with a natural basic tone. The basic tone is very limited to bring a repertoire of popular songs and traditional Banyumasan songs. This article aims to provide information about the development of Kenthongan Banyumas art organology. The method used in this research is qualitative. Literature study, observation, in-depth interviews with informants making musical instruments of Kenthongan Banyumas, and documentation are techniques used by researchers in collecting research data. The examination of the research data validity is carried out using credibility criteria through the extension of observations, the persistence of observations, and the triangulation. Furthermore, it is analyzed by reducing the data through analysis and then the reducing results interactively to draw research conclusions. This research resulted in the development of Kenthongan Banyumas Art from the organology side of Angklung and Kenthongan instruments using diatonic scales so that they can accompany the repertoire of popular songs. In addition, making Angklung and Kenthongan instruments with Slendro barrels to accompany the repertoire of Banyumasan traditional songs.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

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Volume Title
Proceedings of the 4th International Conference on Arts and Design Education (ICADE 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
15 June 2022
ISBN
978-94-6239-583-1
ISSN
2352-5398
DOI
https://doi.org/10.2991/assehr.k.220601.036How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article distributed under the CC BY-NC 4.0 license.

Cite this article

TY  - CONF
AU  - Ibnu Amar Muchsin
AU  - Syahrul Syah Sinaga
AU  - Endang Kusrini
AU  - Danang Ardyanto
PY  - 2022
DA  - 2022/06/15
TI  - Kenthongan Banyumas
BT  - Proceedings of the 4th International Conference on Arts and Design Education (ICADE 2021)
PB  - Atlantis Press
SP  - 163
EP  - 166
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220601.036
DO  - https://doi.org/10.2991/assehr.k.220601.036
ID  - Muchsin2022
ER  -