Analysis of Ruth Stella’s Baroque Piano Arrangement

Fuga based on Bintang Kejora

DOI

10.2991/assehr.k.220601.010How to use a DOI?

Keywords

Fuga; Melodic movement; Counterpoint; Texture

Abstract

Piano instrument have spread all over the world. Cultural differences are one of the inhibiting factors for piano learning, so it need to develop culture- based learning materials. There are a number of piano arrangements that adapt the playing techniques of romantic, classical, and baroque styles to play Indonesian songs. This article will examine the counterpoint technique in Fuga based on Bintang Kejora arrangement by Ruth Stella. The research method used is content analysis, with a qualitative approach. Analysis of notation, and audio is focused on knowing the use of counterpoint techniques. The results of the study explain the counterpoint techniques used include first species, second species, third species, fourth species and fifth species. In addition, there is a processing melodies movement of direct motion, contrary motion and oblique motion. Arrangement of work like this can be developed or can be used as one of the piano learning materials in formal and non-formal music institutions.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - Asani Gian Haviana
AU  - Rita Milyartini
AU  - Diah Latifah
PY  - 2022
DA  - 2022/06/15
TI  - Analysis of Ruth Stella’s Baroque Piano Arrangement
BT  - Proceedings of the 4th International Conference on Arts and Design Education (ICADE 2021)
PB  - Atlantis Press
SP  - 43
EP  - 47
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220601.010
DO  - 10.2991/assehr.k.220601.010
ID  - Haviana2022
ER  -