Proceedings of the 4th International Conference on Arts Language and Culture (ICALC 2019)

Neo-Exoticism as Indonesian Regional Government’s Formula for Developing Ethnic Arts: Concept, Practice, and Criticism

Authors
Ikwan Setiawan, Andang Subaharianto
Corresponding Author
Ikwan Setiawan
Available Online 25 March 2020.
DOI
10.2991/assehr.k.200323.020How to use a DOI?
Keywords
neo-exoticism, ethnic arts, post-colonial, neoliberal tourism industry, Banyuwangi
Abstract

This article aims to explore the concept and practice of neo-exoticism as an ideal-flexible formula for developing ethnic arts in the midst post-colonial society and neoliberal tourism industry. By analyzing our field data from various events of cultural tourism in Banyuwangi, East Java, Indonesia, we will elaborate some concepts and practices of neo-exoticism. We adopt and develop the idea of neo-exoticism from the concept of “post-colonial exotic” by Huggan (2001), which describes the contestation between the desire of intellectuals and activists to preserve traditional cultures continuously as a significant marker for national identity and the state’s policy to incorporate the beauty of exotic cultures into commercial activities. The framework will help us to analyze primary data from participatory observation in cultural tourism activities in Banyuwangi and interview with some folk artists from 2012-2019 as well as secondary data from online news media. The result of this study shows that the neo-exoticism formula in the development of ethnic arts has several advantages. For the state regime, this formula makes local government easy for repackaging ethnic artistic richness in the form of tourism products such as carnival, festival, spectacular event, and collaborative performance. Indeed, the artists and residents will benefit through their cultural participation, but the investors in tourism with neoliberal flexible principles which incorporate exotic characteristics into their services will get greater profits. However, the neo-exoticism formula will not have a major impact on ethnic arts that still follow the traditional standard performances.

Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 4th International Conference on Arts Language and Culture (ICALC 2019)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
25 March 2020
ISBN
10.2991/assehr.k.200323.020
ISSN
2352-5398
DOI
10.2991/assehr.k.200323.020How to use a DOI?
Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Ikwan Setiawan
AU  - Andang Subaharianto
PY  - 2020
DA  - 2020/03/25
TI  - Neo-Exoticism as Indonesian Regional Government’s Formula for Developing Ethnic Arts: Concept, Practice, and Criticism
BT  - Proceedings of the 4th International Conference on Arts Language and Culture (ICALC 2019)
PB  - Atlantis Press
SP  - 151
EP  - 171
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200323.020
DO  - 10.2991/assehr.k.200323.020
ID  - Setiawan2020
ER  -