Mystery of the Concept: S. I. Taneyev’s Choruses, Op. 35, to Words by K. D. Balmont

DOI

10.2991/icassee-18.2018.128How to use a DOI?

Keywords

conception; Sergei Taneyev; choral cycle; music based on the poetry by Balmont; op. 35 by Taneyev

Abstract

Op. 35 for male chorus based on Balmont’s poetry is probably the most mysterious and little-explored one within Taneyev’s artistic heritage. Basing on the analysis of the already published choirs of the cycle and archival drafts the author proposes the original version of the composer’s interpretation of the poetry, which stands afar from Taneyev’s creative and aesthetic attitudes. The discovered autographs containing previously unknown fragments of the cycle makes it possible to unveil the conceptual height of one of the last works of the great Russian composer and thinker.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Galima Lukina
PY  - 2018/12
DA  - 2018/12
TI  - Mystery of the Concept: S. I. Taneyev’s Choruses, Op. 35, to Words by K. D. Balmont
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 647
EP  - 652
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.128
DO  - 10.2991/icassee-18.2018.128
ID  - Lukina2018/12
ER  -