Nikolay Diletsky’s Four-part Сoncertos: the Unknown Pages of Russian Baroque Music

DOI

10.2991/icassee-18.2018.131How to use a DOI?

Keywords

Nikolay Diletsky; part-singing style; concerto; Russian Baroque Music

Abstract

Music of the mid-17th-early 18th century is a little-known and poorly studied part of Russian culture. The manuscripts found in the archives during the last decades have modified our notions about the artistic heritage of the greatest composers of that time. In 2013, the present author discovered 36 previously unknown four-part concertos by Diletsky. On the basis of the preserved part-books, 32 scores have been compiled and edited; currently they are being prepared for publication. The paper considers the manuscript sources, the concertos’ verbal texts and various forms of the interaction between text and music.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Natalia Plotnikova
PY  - 2018/12
DA  - 2018/12
TI  - Nikolay Diletsky’s Four-part Сoncertos: the Unknown Pages of Russian Baroque Music
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 662
EP  - 666
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.131
DO  - 10.2991/icassee-18.2018.131
ID  - Plotnikova2018/12
ER  -