Research on the Aesthetics of Current Chinese Three-dimensional Animation Based on Engine Animation

DOI

10.2991/icassee-18.2018.162How to use a DOI?

Keywords

engineer animation; animated film; aesthetics

Abstract

Because “mechanical cinema" has affinity with three-dimensional animated movie, it should be called "engine animation". As a result, the game engines itself pursuits of the realistic and lifelike technology become as the transcript of the Chinese "engine animation" producers. In the context of post-modernity, the imitation of ending up being a "symbol" neglects the presence of historical culture, which makes "engine animation" and Chinese animated films become the replicas of symbol consumption. A large number of person with basic technical ability have been cultivated because of the pursuit of transcript, but we cannot blindly fall into such technological competition, and ignore the presence of historical culture and the audience’s imagination of the animated films.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yiran Fan
AU  - Yidong Liu
PY  - 2018/12
DA  - 2018/12
TI  - Research on the Aesthetics of Current Chinese Three-dimensional Animation Based on Engine Animation
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 805
EP  - 807
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.162
DO  - 10.2991/icassee-18.2018.162
ID  - Fan2018/12
ER  -