The Story Mode of "Love Between Monks and Layman" in Contemporary Tibetan Female Chinese Novels

DOI

10.2991/icassee-19.2019.27How to use a DOI?

Keywords

Tibetan; female; Chinese novel; story mode

Abstract

Contemporary Tibetan female Chinese novels, The Resurrection of Tara by Padma Lhaze, Souls Piercing by Ge Yang, Coral Runs through the Years by Mei Zhuo, and Another Heaven by Luo Sang Zhuo Ma, have adopted the story mode of "love between monks and layman". The prototype of such a model is largely determined by the influence of acquired religious environment, which is the result of the transformation of the stories of "eminent monks and beautiful lady" in Buddhist scriptures. Through constant changes, female images have changed from evil to good, from passive shaping to active writing, and achieved great breakthrough in the theme.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Xuewei Hu
PY  - 2019/11
DA  - 2019/11
TI  - The Story Mode of "Love Between Monks and Layman" in Contemporary Tibetan Female Chinese Novels
BT  - Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019)
PB  - Atlantis Press
SP  - 139
EP  - 141
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-19.2019.27
DO  - 10.2991/icassee-19.2019.27
ID  - Hu2019/11
ER  -