Observation on the Turn of Music Talent TV Show 3.0 in China

DOI

10.2991/assehr.k.200907.096How to use a DOI?

Keywords

music talent show, consumer society, audience, code, interactive ritual chain

Abstract

Music talent shows have always been an important type of Chinese TV programs. In the 3.0 era, TV programs are mainly about idol cultivation and subculture music. Hall’s encoding / decoding theory provides theoretical explanations for the new ecology of program makers, players and audiences in the 3.0 era and the new landscape of consumer society. With the development of big data and new media, TV producers put the audience’s position in front to bridge the gap brought by different meaning structures, and at the same time share the coding identity with the players and the audience to consolidate the interactive ritual chain. In the 3.0 era of musical TV talent show in China, subculture has gained space for expansion, advanced gender culture has gained the Promised Land for development, and capital has been realized by hot style. What needs to be paid attention to is the influence of “information cocoons” on teenagers as the main fan group.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xing Liu
PY  - 2020
DA  - 2020/09/07
TI  - Observation on the Turn of Music Talent TV Show 3.0 in China
BT  - Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)
PB  - Atlantis Press
SP  - 535
EP  - 540
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200907.096
DO  - 10.2991/assehr.k.200907.096
ID  - Liu2020
ER  -