Avant-garde and Deconstruction: An Analysis of Andy Warhol’s Dionysian Spirit Dimension
- 10.2991/assehr.k.200907.036How to use a DOI?
- Andy Warhol, Dionysus Spirit, avant-garde, deconstruction, fashion
Andy Warhol, the artist known as the “king of consumption”, has reached his peak in popularity and influence in the second half of the 20th century. Through a series of artistic expressions of anti-connotation, breaking away meaning and removing value, his works have caused deep impact and subversion of modern aesthetic moral principles. This coincides with Nietzsche’s philosophical proposition in “The Birth of Tragedy”, because he saw through the “illusion” of art. Based on this, this article intends to cut to the case from three perspectives of the discrimination analysis of Dionysian Spirit art, Warhol’s avant-garde and pioneer spirit inheritance of modern art, and his deconstruction and irony presentation of postmodern art, so as to deeply analyze the spirit dimension of Dionysian Spirit in Andy Warhol’s art.
- © 2020, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Yan Wang PY - 2020 DA - 2020/09/07 TI - Avant-garde and Deconstruction: An Analysis of Andy Warhol’s Dionysian Spirit Dimension BT - Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) PB - Atlantis Press SP - 201 EP - 206 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.200907.036 DO - 10.2991/assehr.k.200907.036 ID - Wang2020 ER -