Painting on Silk: Analysis of the Historical Prevailing Necessity of Silk Painting in the Northern Song Dynasty and Its Enlightenment to the Contemporary Times

DOI

10.2991/assehr.k.200316.056How to use a DOI?

Keywords

silk, painting materials, techniques, visual presentation, painting on silk

Abstract

If art history is compared to a big river, the basic elements such as concepts, materials, events, history, humanities, politics, economy, and communication can be regarded as the tributaries of the big river; they are blended together and make the river vast and long and constantly updated. Painting can be performed on the basis of materials, and the materials have certain regulations for the techniques. The visual presentation of a painting is the result of the combined use of materials and techniques. Coupling the reason for the prevailing of silk painting in the Northern Song Dynasty with the painting materials is of great significance to the research and development of materials in modern and contemporary arts.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yu Pan
PY  - 2020
DA  - 2020/03/19
TI  - Painting on Silk: Analysis of the Historical Prevailing Necessity of Silk Painting in the Northern Song Dynasty and Its Enlightenment to the Contemporary Times
BT  - Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020)
PB  - Atlantis Press
SP  - 242
EP  - 246
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200316.056
DO  - 10.2991/assehr.k.200316.056
ID  - Pan2020
ER  -