Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020)

Historical and Cultural Features of the Formation of Music Management in the Context of Spiritual Culture Functioning Russia: Genetic, Diachronic, and Synchronous Approaches

Authors
Larisa Sergeevna Zorilova, Daria Rodionova
Corresponding Author
Larisa Sergeevna Zorilova
Available Online 19 March 2020.
DOI
10.2991/assehr.k.200316.022How to use a DOI?
Keywords
spiritual culture, music management, values, creativity, diachronic, synchronous, approach, musical forms, organization of musical activity
Abstract

This article discusses the features of the formation of music management in the process of historical development of the spiritual culture of Russia. Spiritual culture, which fills the entire life of a person, at all times reflected the features of worldview, life and manners, values, beliefs, attitudes, behavior of people in society. Spiritual culture has always been inextricably linked with material culture, embodied in it and spiritualizing all extant monuments: musical works of folk, Church-singing, classical, pop-jazz art, which retain deep secrets and have unique content and level of values. Music management is considered as a phenomenon of spiritual culture; as an art that has creative beginnings and forms the figurative and artistic content of the event, project; as an activity that demonstrates the results of work in the society of all project participants. Using historical-genetic, historical-contextual, diachronic and synchronic approaches in the article, the authors reveal the features of the formation of managerial managerial-organizational functions since ancient times. The historical-genetic approach confirms that the origins of the management of musical forms should be sought in the ancient civilizations of Sumer, Ancient Greece, China and other countries. Thanks to the diachronic approach, the article looks through the prism of centuries emerging forms of musical art and features of their management at various historical stages in Russia. Synchronic and historical-contextual approaches allow us to give a brief description of the individual historical stages in which the new musical forms functioned, and to note the peculiarities of their management.

Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
19 March 2020
ISBN
10.2991/assehr.k.200316.022
ISSN
2352-5398
DOI
10.2991/assehr.k.200316.022How to use a DOI?
Copyright
© 2020, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Larisa Sergeevna Zorilova
AU  - Daria Rodionova
PY  - 2020
DA  - 2020/03/19
TI  - Historical and Cultural Features of the Formation of Music Management in the Context of Spiritual Culture Functioning Russia: Genetic, Diachronic, and Synchronous Approaches
BT  - Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020)
PB  - Atlantis Press
SP  - 87
EP  - 96
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200316.022
DO  - 10.2991/assehr.k.200316.022
ID  - Zorilova2020
ER  -