A Study on Oriental Aesthetics in Pictorialism
Authors
Bin Guan
Corresponding Author
Bin Guan
Available Online June 2017.
- DOI
- https://doi.org/10.2991/iccessh-17.2017.113How to use a DOI?
- Keywords
- oriental aesthetics; photography; pictorialism
- Abstract
- Pictorialism as a photography branch which achieves aesthetic conception through documentary mode, its essence has a link with Chinese calligraphy and painting, and they all are Oriental arts with typical Oriental aesthetic. And artistic conception is the highest level of oriental aesthetics, also is a perfect form of expression for pictorialism to pursue. Although pictorialism relies on documentary way to innovate, but it is carrying Chinese culture and national connotation, the aesthetic category it contained reflects the aesthetic form of the work. This article uses "shape and spirit", "dynamic and static", "reality and fantasy, "light and shadow" to render the artistic conception in pictorialism, and to explain the connotation and formal beauty of oriental culture as well as its symbolic meaning.
- Open Access
- This is an open access article distributed under the CC BY-NC license.
Cite this article
TY - CONF AU - Bin Guan PY - 2017/06 DA - 2017/06 TI - A Study on Oriental Aesthetics in Pictorialism BT - 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) PB - Atlantis Press SP - 466 EP - 472 SN - 2352-5398 UR - https://doi.org/10.2991/iccessh-17.2017.113 DO - https://doi.org/10.2991/iccessh-17.2017.113 ID - Guan2017/06 ER -