Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)

A Brief Analysis of the Role of Primitive Religion in the Traditional Oroqen Dance

Authors
Rui Zhang, Weibo Dang
Corresponding Author
Rui Zhang
Available Online July 2019.
DOI
https://doi.org/10.2991/iccessh-19.2019.432How to use a DOI?
Keywords
religion; traditional dance; role
Abstract
Traditional Oroqen dance has been transformed with the changes of social production, lifestyle and social ideology when it continued to develop to now. However, the essence of the nation still exists, which has not been changed. The Shaman ritual forms and movements of the original religious dance style are mixed with their hunting actions and living production habits. After the baptism of the long history, due to the improvement of people's production and living standards and improvement of the people's cultural literacy, the demand for national culture has also changed. The Oroqen national traditional dance gradually evolved from the original style to the current ancient Gulun Muta, which was passed down and carried forward by generations. The traditional dance of Oroqen has regional and territorial characteristics and has a unique national culture. It has not only retained the ideology of primitive religion, but also reflects the beautiful yearning for today's life and the development of China's excellent traditional culture.
Open Access
This is an open access article distributed under the CC BY-NC license.

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Cite this article

TY  - CONF
AU  - Rui Zhang
AU  - Weibo Dang
PY  - 2019/07
DA  - 2019/07
TI  - A Brief Analysis of the Role of Primitive Religion in the Traditional Oroqen Dance
BT  - 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)
PB  - Atlantis Press
SP  - 2021
EP  - 2023
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccessh-19.2019.432
DO  - https://doi.org/10.2991/iccessh-19.2019.432
ID  - Zhang2019/07
ER  -