Artistic Conception of Blank Art in Chinese Painting
- Wenxiu Li
- Corresponding Author
- Wenxiu Li
Available Online December 2016.
- https://doi.org/10.2991/icelaic-16.2017.111How to use a DOI?
- Chinese painting; blank; artistic conception
- Regardless of whether the ancient Chinese painting is the ink freehand brushwork or is the painting with fine brushworks and detail, it is not painted fully on the paper in the picture, and there are a lot of blank left. We generally call it the blank. In the traditional Chinese painting, the blank is not as the blank paper, it is an important constituent element, and is the part of forming a complete picture. "Blank" can be understood as an element of leaving proper space to give the main object enough space for stretching freely. Therefore, "blank" can't be understood as the "vanity". It is a kind of "hidden imagery" technique, and that's what the ancients said, "the more the scene hidden, the more profound the meaning." Blank has the irreplaceable significance and position in Chinese painting.
- Open Access
- This is an open access article distributed under the CC BY-NC license.
Cite this article
TY - CONF AU - Wenxiu Li PY - 2016/12 DA - 2016/12 TI - Artistic Conception of Blank Art in Chinese Painting BT - 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016) PB - Atlantis Press SN - 2352-5398 UR - https://doi.org/10.2991/icelaic-16.2017.111 DO - https://doi.org/10.2991/icelaic-16.2017.111 ID - Li2016/12 ER -