The Presence of the Ghaznavids’ Court Glory: An Analysis of Lashkari-Bazar in Light of the Sociopolitical Order Through Historical and Panegyric Materials

DOI

10.2991/assehr.k.210519.234How to use a DOI?

Keywords

the Ghaznavids, the Lashkari-Bazar, Mas’ud, Bust, fresco

Abstract

During the tenth to twelfth centuries in the central and eastern Islamic areas, largely today’s Afghanistan, the military Turks established a Sunni dynasty called the Ghaznavids. It was an era of great glory and constant tension in the Islamic world, defined as the medieval Islamic period, with the Ghaznavids’ reformed political structure, enormous military exploitation, regular seasonal migration, lavish court ceremonies and flourishing cultural scenes. This article will examine architectural plans and fresco paintings in the audience hall of Lashkari-Bazar to illustrate the presence of the Ghaznavids’ court glory in terms of the socio-political order.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Shangxiner Li
PY  - 2021
DA  - 2021/05/20
TI  - The Presence of the Ghaznavids’ Court Glory: An Analysis of Lashkari-Bazar in Light of the Sociopolitical Order Through Historical and Panegyric Materials
BT  - Proceedings of the 7th International Conference on Humanities and Social Science Research (ICHSSR 2021)
PB  - Atlantis Press
SP  - 1175
EP  - 1182
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210519.234
DO  - 10.2991/assehr.k.210519.234
ID  - Li2021
ER  -