Thoughts on the “Exhibition Hall Effect” of Contemporary Calligraphy Exhibition

DOI

10.2991/assehr.k.210609.035How to use a DOI?

Keywords

Calligraphy exhibition, Calligraphy, Calligraphy creation, Contemporary calligraphy

Abstract

The Creation of contemporary calligraphy began to transform from the traditional study-style model to the modern exhibition-style model. During the upsurge of calligraphy phenomenon, the “exhibition hall effect” is increasingly manifested, thus stimulating an “exhibition body” which is oriented by aesthetic. By reviewing the history of the Chinese calligraphy, we first try to figure out the reasons for the appearance of “exhibition body” and “exhibition hall effect”. Then, we discuss the problems and reflections brought by “exhibition hall effect” and traditional culture. As a result, the calligraphy phenomenon should be dialectically evaluated along with the development of contemporary Chinese calligraphy.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhengyao Long
PY  - 2021
DA  - 2021/06/10
TI  - Thoughts on the “Exhibition Hall Effect” of Contemporary Calligraphy Exhibition
BT  - Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
PB  - Atlantis Press
SP  - 174
EP  - 177
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210609.035
DO  - 10.2991/assehr.k.210609.035
ID  - Long2021
ER  -