Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)

Wang Zengqi’s View on Literary Language

Authors
Liu Xiaojing
Corresponding Author
Liu Xiaojing
Available Online 10 June 2021.
DOI
10.2991/assehr.k.210609.058How to use a DOI?
Keywords
Wang Zengqi, literary language, culturality, fluidity, suggestiveness
Abstract

Systematic arrangement and brief discussion of Wang Zengqi’s literary language view. On the basis of constantly summing up his creative experience, Wang Zengqi formed a relatively complete view of literary language. He established the ontology of the language of the novel, the language is the noumenon of the novel, and writing a novel is writing language. Wang Zengqi realized that Chinese characters are hieroglyphs and have four tones. Chinese people think in Chinese characters, and Chinese language is musical.He use Chinese traditional “wenqi theory” to interpret the relationship between language and syllables and the importance of syllables and words. Starting from the uniqueness of Chinese characters and Chinese, he explained the characteristics of literary language content, culture, suggestion, and fluidity. He established the aesthetic standard of literary language-plain, the only standard of language: accuracy. From the perspective of how a writer can improve the personality and artistic expression of literary language, he believes that literary language must seek language resources from spoken language, classical Chinese, and dialects, and draw nourishment from Chinese classical literature and folk literature. He advocated using four-character sentences and short sentences appropriately. On the basis of Qian Zhongshu’s promotion of opening up Chinese and Western literature, he advocated opening up contemporary literature and classical literature (national tradition), and opening up contemporary literature, classical literature, and folk literature.

Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
10 June 2021
ISBN
10.2991/assehr.k.210609.058
ISSN
2352-5398
DOI
10.2991/assehr.k.210609.058How to use a DOI?
Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Liu Xiaojing
PY  - 2021
DA  - 2021/06/10
TI  - Wang Zengqi’s View on Literary Language
BT  - Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
PB  - Atlantis Press
SP  - 284
EP  - 293
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210609.058
DO  - 10.2991/assehr.k.210609.058
ID  - Xiaojing2021
ER  -