Imagination, Metaphor and Adpe: The Historical Reconstruction of Domestic Plague-Themed Films

DOI

10.2991/assehr.k.201215.487How to use a DOI?

Keywords

Ecological criticism, metaphor, adaffle, politicization

Abstract

After two years, the domestic plague film is deeply affected by the process, mostly focusing on the view of life and ecological inverse, in the context of human and his narrative to build a narrative. Plague and ecology are closely linked, chasing its source of infection, it is inevitable to return to ecology, ecological destruction is the source of all diseases. The film “Daming Robbery” traces from the plague, whether it is a social metaphor or a realistic metaphor, all focus on the simile or metaphor of the Ming Dynasty to the end of the inevitable. The historical and cultural atmosphere of such films is “fragmented restoration of history”, reconstructing history, examining and freeing it, to “epidemic” metaphor “death”.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Wangjingwen
AU  - luwei
PY  - 2020
DA  - 2020/12/17
TI  - Imagination, Metaphor and Adpe: The Historical Reconstruction of Domestic Plague-Themed Films
BT  - Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020)
PB  - Atlantis Press
SP  - 513
EP  - 516
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.201215.487
DO  - 10.2991/assehr.k.201215.487
ID  - 2020
ER  -