Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)

The Transmutation of Traditional Chinese Cultural Concepts Under the Construction of Pai Hsien-Yung's Identity

From “The New Yorker” to the Youthful Version of the Peony Pavilion

Authors
Zhengyang Pei1, Yourong Yao1, 1, *
1University of Macau, Zhuhai, China
*Corresponding author. Email: SC12265@umac.mo
Corresponding Author
Yourong Yao
Available Online 13 February 2023.
DOI
10.2991/978-2-494069-97-8_175How to use a DOI?
Keywords
Traditional Cultural Concept; Pai Hsien-yung; Identity; Overseas Chinese literature; Traditional Cultural Innovation
Abstract

As a representative writer of overseas Chinese literature, Pai Hsien-yung and his literary creation are one the critical objects of discussion in the academic community. His two works The New Yorker and the youth version of The Peony Pavilion represent his two creative experiences, respectively. Through the analysis of these two works, it is clear that the transmutation process of “contradiction-return-innovation” of traditional Chinese culture in the construction of his identity, i.e., the dilemma, compromise and self-awareness of identity in the conflict between Chinese and Western cultures. In his creation, traditional Chinese culture has also risen from a touch of nostalgia to spiritual nourishment and then become an ageless youth. In today's era of information fragmentation and cultural globalization, we face the challenge of completing the building of our own values while allowing traditional culture to flourish in the contemporary setting. In this regard, Pai Hsien-yung's examination and selection during the process of looking for one's identity and discovering the essence of classics amidst cultural conflicts have a high reference value.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
13 February 2023
ISBN
10.2991/978-2-494069-97-8_175
ISSN
2352-5398
DOI
10.2991/978-2-494069-97-8_175How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Zhengyang Pei
AU  - Yourong Yao
PY  - 2023
DA  - 2023/02/13
TI  - The Transmutation of Traditional Chinese Cultural Concepts Under the Construction of Pai Hsien-Yung's Identity
BT  - Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022)
PB  - Atlantis Press
SP  - 1367
EP  - 1376
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-97-8_175
DO  - 10.2991/978-2-494069-97-8_175
ID  - Pei2023
ER  -