Proceedings of the 2017 International Conference on Manufacturing Engineering and Intelligent Materials (ICMEIM 2017)

Research on Production and Use of Silk Materialfor Mounting Traditional Chinese Calligraphy and Painting

Authors
Chun-hua Gu, Qin-ru Huang
Corresponding Author
Chun-hua Gu
Available Online February 2017.
DOI
https://doi.org/10.2991/icmeim-17.2017.31How to use a DOI?
Keywords
Silk, Material, Production, Use
Abstract
There is a long history of mounting traditional Chinese Calligraphy and Painting. The mounting technology became more and more skilled and impeccable after the developed in Song, Yuan, Ming and Qing dynasty. The production of silk material--brocade, kesi, damask silk and silk tabby mounting for Chinese ancient calligraphy and painting became more ripen, there are different production places, production way and usages in different historical periods.
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Proceedings
2017 International Conference on Manufacturing Engineering and Intelligent Materials (ICMEIM 2017)
Part of series
Advances in Engineering Research
Publication Date
February 2017
ISBN
978-94-6252-317-3
ISSN
2352-5401
DOI
https://doi.org/10.2991/icmeim-17.2017.31How to use a DOI?
Open Access
This is an open access article distributed under the CC BY-NC license.

Cite this article

TY  - CONF
AU  - Chun-hua Gu
AU  - Qin-ru Huang
PY  - 2017/02
DA  - 2017/02
TI  - Research on Production and Use of Silk Materialfor Mounting Traditional Chinese Calligraphy and Painting
BT  - 2017 International Conference on Manufacturing Engineering and Intelligent Materials (ICMEIM 2017)
PB  - Atlantis Press
SP  - 176
EP  - 179
SN  - 2352-5401
UR  - https://doi.org/10.2991/icmeim-17.2017.31
DO  - https://doi.org/10.2991/icmeim-17.2017.31
ID  - Gu2017/02
ER  -