The Establishment of Musical Aesthetics That "Natural Voice" Is the Most Beautiful Sound
Shalin Han, Tao Yu
Available Online April 2017.
- 10.2991/icoss-17.2017.28How to use a DOI?
- Natural sound; Voice; Imitation; Substitutes; Nationality; Cosmopolitan
From the concept perspective of The Establishment of Musical Aesthetics That "Natural Voice" Is the Most Beautiful Sound, this paper systematically and detailedly argues that the aesthetic habits and aesthetic psychological structure of the music from the Chinese people are reflected in the natural aesthetic pursuit of the Chinese nation for thousands of years. This paper also refers to the representative aesthetic theorists in the history of western aesthetics to illustrate that "the natural voice is the traditional aesthetic appreciation of the Chinese nation and the common aesthetic pursuit of mankind". The aesthetics of "the natural voice" of the Chinese nation not only embodies the nationality, but also it is cosmopolitan.
- © 2017, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Shalin Han AU - Tao Yu PY - 2017/04 DA - 2017/04 TI - The Establishment of Musical Aesthetics That "Natural Voice" Is the Most Beautiful Sound BT - Proceedings of the 2017 International Conference on Society Science (ICoSS 2017) PB - Atlantis Press SP - 149 EP - 154 SN - 2352-5398 UR - https://doi.org/10.2991/icoss-17.2017.28 DO - 10.2991/icoss-17.2017.28 ID - Han2017/04 ER -