"Montage" Mentality on the Art of Painting —Study about Figure Painting Scenes of Convergence in the Five Dynasties and Song Dynasty

DOI

10.2991/iea-15.2015.164How to use a DOI?

Keywords

montage thinking; thinking: song figures; convergence of scenes

Abstract

We often see different time and space scenes, different stories and different viewpoints change organically through one lens converge to form a complete film in the movie, and one of a series of the shearing lens elements and convergence is the montage technique. Such a method actually also often exists in different scenes in our ancient literature and different scenes and jumping thinking thoughts form a series of montage in the mind, and then it can be expressed through poetry. This case is the same as it in art, different time and spaces, the characters appear in a scene in a picture, and we distinguish them with a series of symbols to convergence in each scene. Therefore, we can say that if the montage was born after his birth of firms in the twentieth century, then it has existed since ancient time, and it has always existed in the fine arts, however, such thinking played an important role in the development of Chinese art, especially in the convergence and performance practices screen scene.

Copyright

© 2015, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Wang Zhihui
PY  - 2015/09
DA  - 2015/09
TI  - "Montage" Mentality on the Art of Painting —Study about Figure Painting Scenes of Convergence in the Five Dynasties and Song Dynasty
BT  - Proceedings of the AASRI International Conference on Industrial Electronics and Applications (2015)
PB  - Atlantis Press
SP  - 663
EP  - 665
SN  - 2352-5401
UR  - https://doi.org/10.2991/iea-15.2015.164
DO  - 10.2991/iea-15.2015.164
ID  - Zhihui2015/09
ER  -