Hegemony in Film: How Holocaust is Legitimized through Visual and Linguistic Texts?
- https://doi.org/10.2991/klua-18.2018.1How to use a DOI?
- hegemony, holocaust, legitimization, multimodal discourse analysis, power
Within the late of 1980s to the early 1990s, a myriad of films containing Holocaust were produced. One of which was Schindlers’ List. The depiction of eeriness of holocaust was wrapped in a scantily flawed film, subtly permeated into people’s minds. The filmmaker spreads their power, asking for people’s consent, not through coercion but through cognition. This is so-called hegemony. Holocaust left us a memory that during those years, Jews suffered severely, not only were expelled from their homey homes, they were also killed in such inhumanely way. Some selected shots with intertitle in them were selected as the data. Both the linguistic in the intertitle as well as the visual semiotic resources were juxtaposed to uncover the relation, leading to a meaning conceived.
- © 2018, the Authors. Published by Atlantis Press.
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- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Riskia Setiarini PY - 2018/07 DA - 2018/07 TI - Hegemony in Film: How Holocaust is Legitimized through Visual and Linguistic Texts? BT - Proceedings of the International Conference on Language Phenomena in Multimodal Communication (KLUA 2018) PB - Atlantis Press SP - 1 EP - 15 SN - 2352-5398 UR - https://doi.org/10.2991/klua-18.2018.1 DO - https://doi.org/10.2991/klua-18.2018.1 ID - Setiarini2018/07 ER -