Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology

DOI

10.2991/assehr.k.220401.006How to use a DOI?

Keywords

E.H.Gombrich; iconology theory; Claude Monet; “Water Lilies”

Abstract

E.H.Gombrich is an important successor and critic of iconology theory. He not only affirmed Wolfgang K.H.Panofsky’s iconology theory, but also creatively proposed his own theory. The article is based on E.H.Gombrich’s iconology theory. It analyzes the impressionist painter Claude Monet’s “Water Lilies” theoretically, and understands the historical situation and ideological meaning of Monet when he created “Water Lilies”.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - YuLin Wang
PY  - 2022
DA  - 2022/04/08
TI  - Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology
BT  - Proceedings of the 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022)
PB  - Atlantis Press
SP  - 30
EP  - 33
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220401.006
DO  - 10.2991/assehr.k.220401.006
ID  - Wang2022
ER  -