An Analysis of the Design Concept of Modern Urban History Museums from the Controversy Related to the Architectural Appearance of Ningbo Museum

DOI

10.2991/aebmr.k.220502.057How to use a DOI?

Keywords

history museum; ocalization; Ningbo useum; Suzhou museum

Abstract

Wang Shu, China’s first Pulitzer Prize winner, designed the Ningbo Museum, which has been controversial since the earliest stages of the project, mainly due to its ‘neo-rustic’ appearance, i.e. the fusion of traditional construction techniques with modernist forms, and the compatibility of the Ningbo Museum building with its surroundings. In this paper, through relevant materials (including the journal Yinzhou Yearbook 2019, 440 pages, the paper The Expression of Native Architecture Under Critical Regionalism: A Comparative Study of Ahmedabad Cave Art Gallery and Ningbo Museum, etc.) and some fieldwork, it will analyze the design concept of modern Chinese historical museum architecture from some controversies about the exterior design of Ningbo Museum.

Copyright

© 2022 The Authors. Published by Atlantis Press International B.V.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

Download article (PDF)

TY  - CONF
AU  - Jiaying Yang
PY  - 2022
DA  - 2022/05/16
TI  - An Analysis of the Design Concept of Modern Urban History Museums from the Controversy Related to the Architectural Appearance of Ningbo Museum
BT  - Proceedings of the 2022 International Conference on Urban Planning and Regional Economy（UPRE 2022）
PB  - Atlantis Press
SP  - 317
EP  - 320
SN  - 2352-5428
UR  - https://doi.org/10.2991/aebmr.k.220502.057
DO  - 10.2991/aebmr.k.220502.057
ID  - Yang2022
ER  -