Research on the Theme of “Chubby Baby” in Dongfengtai New Year Paintings

DOI

10.2991/assehr.k.220205.001How to use a DOI?

Keywords

Dongfengtai; New Year paintings; Chubby baby

Abstract

At the junction of eastern Tianjin and Hebei, there is a “Sister New Year painting” — Dongfengtai New Year painting, which belongs to the same branch as Yangliuqing New Year paintings. Dongfengtai is located at the junction of Tianjin City and Tangshan City, Hebei Province. Dongfengtai New Year painting is one of the most representative folk art in this place. It has extremely high research value. Unfortunately, due to the influence of the war and the Tangshan Earthquake, it gradually disappeared. At present, there are few researches on Dongfengtai New Year paintings in the literature. Most of them only analyze and summarize the historical context and inheritance status of Dongfengtai New Year paintings. It is almost difficult to find an analysis of the characteristics of their creative styles. This article focuses on the image of “chubby baby” in Dongfengtai New Year’s paintings, and compares it with Tianjin Yangliuqing’s New Year paintings. It analyzes and studies the characters in Dongfengtai New Year paintings, their body characteristics, and auxiliary patterns, and then continues and promotes the cultural connotation and artistic charm of the traditional Dongfengtai New Year paintings.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Jingyu Wang
PY  - 2022
DA  - 2022/02/15
TI  - Research on the Theme of “Chubby Baby” in Dongfengtai New Year Paintings
BT  - Proceedings of the 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021)
PB  - Atlantis Press
SP  - 1
EP  - 8
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220205.001
DO  - 10.2991/assehr.k.220205.001
ID  - Wang2022
ER  -