Costume Form and Appearance in the Concept of Performance Keroncong Music in Bandung

Symbols of Past and Now Collaboration

DOI

10.2991/assehr.k.210203.019How to use a DOI?

Keywords

keroncong music, costume, performance, symbol, collaboration

Abstract

This research illustrates the concept of costume collaboration and the formation of young keroncong music performances in Bandung, which is collaborating the past with the present situation. With this concept, keroncong music as music that is less popular among young people in Bandung experienced significant changes in terms of giving a new discourse. O.K. De Oemar Bakrie is used as the main source in this research. Through qualitative methods and triangulation techniques information is collected as valid data. This research found that the Indonesian struggle style costumes during the Soekarno era, especially the cap (songkok), gave an image of the past romanticism to the audience of today’s keroncong music. Today’s formations imaged with the appearance of large ensembles are a form of collaborative performance that appeals to young people today. It can be concluded that this concept can attract the interest of young people in the city of Bandung to enjoy keroncong music and preserve it.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Hery Supiarza
PY  - 2021
DA  - 2021/02/04
TI  - Costume Form and Appearance in the Concept of Performance Keroncong Music in Bandung
BT  - Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020)
PB  - Atlantis Press
SP  - 88
EP  - 90
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210203.019
DO  - 10.2991/assehr.k.210203.019
ID  - Supiarza2021
ER  -