Keroncong, Existence, and Z Generation

DOI

10.2991/assehr.k.220601.065How to use a DOI?

Keywords

Keroncong; Z generation; Existence; Behavior; Preservation

Abstract

This article examines how Z Generation behaves and attempts to preserve keroncong music based on the behavior that is revealed. Keroncong as the original music of the Indonesian state, should be able to continue to grow and become the identity of the Indonesian state. However, several studies mention a decline in keroncong music fans in Indonesia. Indonesia consists of various groups of the current generation, one of which is the dominant generation and currently the largest is Z Generation. By knowing the behavior of the Z generation as one of the trendsetters and the generation that dominates the Indonesian population, this can be used as a basis to find out various efforts that can be made to carried out in preserving keroncong music in Indonesia. The method used in this research is Literature Review. Researchers Review various journals and books on the behavior of Z Generation as an effort to preserve keroncong music. This study proposes a study of keroncong music, Z generation, Z generation with the digital world, and efforts to preserve keroncong music in Z generation.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - Urfan Saniylabdhawega Ridhwan
AU  - Rita Milyartini
AU  - Yudi Sukmayadi
PY  - 2022
DA  - 2022/06/15
TI  - Keroncong, Existence, and Z Generation
BT  - Proceedings of the 4th International Conference on Arts and Design Education (ICADE 2021)
PB  - Atlantis Press
SP  - 308
EP  - 313
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220601.065
DO  - 10.2991/assehr.k.220601.065
ID  - Ridhwan2022
ER  -