Study on the Imitative Polyphony in the Gaoqiang Music of Sichuan Opera
Authors
Chenghong Wang
Corresponding Author
Chenghong Wang
Available Online November 2019.
- DOI
- 10.2991/icassee-19.2019.77How to use a DOI?
- Keywords
- Sichuan Opera; music in Sichuan Opera; gaoqiang; polyphony; imitative polyphony
- Abstract
Gaoqiang is the most representative tune among the arts of five tunes, namely kun, gao, hu, tan and deng in Sichuan Opera. It takes the form of "acapella", and features one singing with others taking up the refrain, accompanied by gong and drum without using any orchestral instruments. In the gaoqiang music of Sichuan Opera, there are a lot of simple and fresh imitative polyphonies with unique flavor. This paper, after analyzing and studying the gaoqiang music in traditional Sichuan Opera, sorts out and summarizes the phenomenon of imitative polyphony.
- Copyright
- © 2019, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Chenghong Wang PY - 2019/11 DA - 2019/11 TI - Study on the Imitative Polyphony in the Gaoqiang Music of Sichuan Opera BT - Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019) PB - Atlantis Press SP - 376 EP - 379 SN - 2352-5398 UR - https://doi.org/10.2991/icassee-19.2019.77 DO - 10.2991/icassee-19.2019.77 ID - Wang2019/11 ER -