Distance Changes as the Means of Expression in the Cinema Art

DOI

10.2991/icassee-19.2019.78How to use a DOI?

Keywords

cinema; poetics; camera; changing distance; view; artistic vision; close-up; long shot; Fellini; Tarkovsky; Steve McQueen

Abstract

The principle of the changing distance between the camera and the object is discussed in the article. The authors write about significant features of the changing distance in art films of the twentieth century and note some new details in the use of changing distance in the art films of nowadays. It helps to realize the transformation of cinema poetics in the current period. The important trend today is the effects of the static camera in the climax dramatic scenes. The authors analyze several scenes in the films of Fellini, Tarkovsky, Steve McQueen to describe the aesthetical difference between the auteur film of XX century and modern intellectual film directing.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Anry Vartanov
AU  - Ekaterina Salnikova
PY  - 2019/11
DA  - 2019/11
TI  - Distance Changes as the Means of Expression in the Cinema Art
BT  - Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019)
PB  - Atlantis Press
SP  - 380
EP  - 383
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-19.2019.78
DO  - 10.2991/icassee-19.2019.78
ID  - Vartanov2019/11
ER  -