Proceedings of the 1st International Conference on Communication and Digital Multimedia 2025 (ICCDM 2025)

Digital Concept Art Reinterprets Javanese Saloka for Cultural Revitalization

Authors
Anton Budi Setyawan1, *, Aflah Hanif Hariadi1
1Animation Study Program, Sekolah Tinggi Multi Media, Yogyakarta, Indonesia
*Corresponding author. Email: antonbudizetyawan@mmtc.ac.id
Corresponding Author
Anton Budi Setyawan
Available Online 18 June 2026.
DOI
10.2991/978-2-38476-589-8_48How to use a DOI?
Keywords
Digital Concept Art; Cultural Revitalization; Digital Heritage
Abstract

General Background: The preservation of intangible cultural heritage in the digital era requires approaches that move beyond static documentation toward dynamic reinterpretation. Specific Background: Javanese saloka, such as Timun Mungsuh Duren, embody complex philosophical meanings but face declining relevance among digital-native audiences. Knowledge Gap: Existing digital heritage practices emphasize technical preservation rather than meaningful reinterpretation, creating a disconnect between cultural depth and contemporary engagement. Aims: This study aims to transform the saloka into digital concept art through a practice-based hermeneutic approach while preserving its philosophical integrity. Results: The findings demonstrate that digital concept art functions as an autonomous form of visual knowledge, reconstructing hierarchical relations and semantic structures while generating new interpretive perspectives. The applied two-stage methodology—textual-cultural analysis and creative translation—proves replicable and maintains cultural authenticity through innovative visual strategies. Novelty: The research introduces a “hermeneutic fidelity” framework that bridges traditional symbolic systems with digital visual representation, positioning digital art as both cultural archive and interpretive medium. Implications: This approach offers a sustainable model for transforming intangible heritage into living digital forms, reinforces the relevance of local wisdom in contemporary contexts, and establishes digital conceptual art as a strategic medium for cultural revitalization.

Copyright
© 2026 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 1st International Conference on Communication and Digital Multimedia 2025 (ICCDM 2025)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
18 June 2026
ISBN
978-2-38476-589-8
ISSN
2352-5398
DOI
10.2991/978-2-38476-589-8_48How to use a DOI?
Copyright
© 2026 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Anton Budi Setyawan
AU  - Aflah Hanif Hariadi
PY  - 2026
DA  - 2026/06/18
TI  - Digital Concept Art Reinterprets Javanese Saloka for Cultural Revitalization
BT  - Proceedings of the 1st International Conference on Communication and Digital Multimedia 2025 (ICCDM 2025)
PB  - Atlantis Press
SP  - 592
EP  - 600
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-589-8_48
DO  - 10.2991/978-2-38476-589-8_48
ID  - Setyawan2026
ER  -