Reflections on the Changes of Court Painting and Painting Mounting of Song and Yuan Dynasties*

DOI

10.2991/assehr.k.200316.045How to use a DOI?

Keywords

court painting, Song and Yuan Dynasties, mounting, inheritance

Abstract

China’s court painting and decoration matters can be traced back to the Zhou Dynasty from the cultural relics. Due to the improvement of the system and economy, especially in Sui and Tang Dynasties, there were quite a lot of mounted books related to painting and calligraphy. Through the development of the dynasties, the court painting and decoration reached the peak in the Song and Yuan Dynasties. This article starts with the relationship between the development of court painting and the mounting of calligraphy and painting to tease out how the development of court painting drove the corresponding mounting development, digs out how court painting affected the Song and Yuan’s mounting, finds the deep reason between the two, and clarifies the context for the development of China’s mounting business.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Maoliu Chen
PY  - 2020
DA  - 2020/03/19
TI  - Reflections on the Changes of Court Painting and Painting Mounting of Song and Yuan Dynasties*
BT  - Proceedings of the 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020)
PB  - Atlantis Press
SP  - 198
EP  - 201
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200316.045
DO  - 10.2991/assehr.k.200316.045
ID  - Chen2020
ER  -