Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017)

The Difference of the Symbolism between Chinese Painting and Western Painting

Authors
Weiran Lin
Corresponding Author
Weiran Lin
Available Online June 2017.
DOI
10.2991/iccessh-17.2017.128How to use a DOI?
Keywords
symbolism; Chinese painting; Western painting; four gentleman painting
Abstract

This article, by comparing the symbolic characteristics of Chinese and western painting, emphasizes that the symbolism of Chinese painting is not only different from the western art, but more importantly, the unique aesthetic image pursuit of Chinese painting and the cultural tradition of "moral comparison" and "truth conveying" pull a larger distance between Chinese painting and Western art, and created its unique style.

Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
June 2017
ISBN
10.2991/iccessh-17.2017.128
ISSN
2352-5398
DOI
10.2991/iccessh-17.2017.128How to use a DOI?
Copyright
© 2017, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Weiran Lin
PY  - 2017/06
DA  - 2017/06
TI  - The Difference of the Symbolism between Chinese Painting and Western Painting
BT  - Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017)
PB  - Atlantis Press
SP  - 522
EP  - 525
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccessh-17.2017.128
DO  - 10.2991/iccessh-17.2017.128
ID  - Lin2017/06
ER  -